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Singapore Biennale reflects on the ties between Asian countries
Atlas of Mirrors features works by 63 artists and collectives, from a loudspeaker made out of woks to a jackfruit timber dwelling



Deng Guoyuan, Noah's Garden II (2016) (Image: © Singapore Art Museum)




Sakarin Krue-On_Kra-Tua Taeng Seua (A Tiger Hunt, 2016) (Image: Singapore Art Museum)


The biennale was accompanied by several new shows at gallery district Gillman Barracks. The NTU Centre for Contemporary Art celebrated its third year with the exhibition Incomplete Urbanism: Attempts of Critical Spacial Practice, based on the practice of Singaporean architect William S.W. Lim. Fost Gallery launched Portals, Loopholes and Other Transgressions, a new solo show of local star Heman Chong, while Arndt opened Gazing on Identity, a solo project by Indonesian favorite FX Harsono. Yeo Workshop debuted a book about Singaporean exhibition history, and Sullivan+Strumpf Singapore opened Alex Secton solo show Pygmalian.
















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